By Cary D Wintz
The Harlem Renaissance, an exhilarating interval within the social and cultural background of the united states, has during the last few a long time re-established itself as a watershed second in African American historical past. although, the various African American groups outdoors the city middle of Harlem that participated within the Harlem Renaissance among 1914 and 1940, were missed and ignored as destinations of scholarship and examine.
Harlem Renaissance within the West: the hot Negro's Western Experience will swap the way in which scholars and students of the Harlem Renaissance view the efforts of artists, musicians, playwrights, membership proprietors, and diverse different avid gamers in African American groups all around the American West to take part absolutely within the cultural renaissance that took carry in the course of that point.
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Extra resources for The Harlem Renaissance in the American West: The New Negro's Western Experience
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As a white man with extensive connections in the academic and publishing worlds, Dobie played a key role in getting Brewer’s future books published. Brewer spent much of the 1930s in the Dallas-Fort Worth area, and taught Spanish at the segregated Booker T. Washington High School in Big D even as his first books were being published. During this time and throughout his career, he did field work across Texas, collecting stories dating back to slavery times. Brewer’s advanced education and his success as a writer never altered his workingclass identity.
Lorenzo Greene, who was in Houston in the spring of 1930 to promote the Association of Negro Life and History, met DeWalt for the first time there and was impressed with the Houstonian’s dedication to the teaching of black history and culture and with his business sense. According to Greene, “He claims to have the best Negro-owned theater in the South. It is large and well decorated, and contains the latest in sound-recording equipment. ” In some ways, the Lincoln Theatre offered conventional entertainment to its patrons, including popular white western films and an occasional blockbuster such as 24 Charles Orson Cook Les Misérables.
Written in dialect, the play lapsed into condescension and stereotype at times, but remained a searing critique of sexual double standards and the hypocrisy regarding interracial sex in the Jim Crow era, a time when white men assumed a right to erotically exploit black women while black men risked their lives if they looked 38 Michael Phillips in the direction of a white woman. In April 1930 the Oak Cliff Little Theatre put on a production of Jute with an all-white cast that included Witherspoon playing the lead role in blackface.