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Drawing from an extended background of indigenous traditions and incorporating diversified affects of surrounding cultures, song in Palestine and one of the hundreds of thousands of Palestinians in diaspora bargains a distinct window on cultural and political occasions of the prior century. From the viewpoint of students, performers, composers, and activists, Palestinian tune and music examines the numerous ways that tune has been a strength of illustration, country construction, and social motion. From the flip of the 20 th century, whilst Palestine turned an unique item of fascination for missionaries and students, to 21st-century transnational collaborations in hip hop and new media, this quantity strains the conflicting dynamics of historical past and culture, innovation and alter, energy and resistance.

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Correspondence between Dalman, Erich von Hornbostel (founder of the Phonogramm-­A rchiv in Berlin), and the cantor Abraham Zvi Idelsohn reveals that Dalman agreed to make recordings for Hornbostel but then passed the equipment to Idelsohn because he had had no time to undertake the work. Correspondence stored in the Idelsohn collection at the Berliner Phonogramm-­A rchiv (Abteilung Musikethnologie, Medien Tech­nik). Thanks to Susanne Ziegler for her help with the collection. 10. This article contains descriptions of difficulties with notation and Dalman’s help therewith.

9, 157–68. Kiesewetter, R. G. 1842. Die Musik der Araber. Wiesbaden, Germany: Liepzig, Breitkopf und Härtel. 36 | Rachel Beckles Willson Kirchhoff, Markus. 2005. Text zu Land. Palästina im wissenschaftlichen Diskurs, 1865– 1920. (Schriften des Simon-­Dubnow-­Instituts Herzaugegeben von Dan Diner 5). Göttingen, Germany: Vandenhoeck and Ruprecht. Löffler, Roland. 2008. Protestanten in Palästina. Religionspolitik, Sozialer Protestantismus und Mission in den deutschen evangelischen und anglekanischen Institutionen des Heiligen Landes, 1917–1939.

Mountains against the Sea: Essays on Palestinian Society and Culture. Berke­ley: University of California Press. Tobler, Titus. 1868. Nazareth in Palästina. Nebst Anhang der vierten Wanderung. Berlin: G. Reimer. Vreté, Mayir. 1972. ” Middle East­ern Studies 8 (1): 3–50. Wassermann, Henry. 2002. ” Modern Judaism, no. 22, 83–98. Wetzstein, Johann Gottfried. 1873. ” Zeitschrift für Ethnologie, no. 5, 270–302. 2 A Musical Catastrophe: The Direct Impact of the Nakba on Palestinian Musicians and Musical Life Nader Jalal and Issa Boulos interviewed by Heather Bursheh Along with having worked at the Palestinian Ministry of Culture and more recently founding and running Nawa, the Palestinian Association for Cultural Development, Nader Jalal has spent most of his adult life interviewing and collecting stories from Palestinian musicians and their families and colleagues, amassing an enormous archive of previously unrecorded information about musicians who were active before and after the Nakba (catastrophe) of 1948.

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