By Max Porter
In a London flat, younger boys face the insufferable disappointment in their mother's unexpected demise. Their father, a Ted Hughes pupil and scruffy romantic, imagines a way forward for well-meaning viewers and emptiness.
In this second of depression they're visited through Crow - antagonist, trickster, healer, babysitter. This self-described sentimental chicken is interested in the grieving relations and threatens to stick until eventually they now not want him. As weeks flip to months and actual soreness of loss offers solution to stories, this little unit of 3 start to heal.
In this awesome debut - half novella, half polyphonic myth, half essay on grief, Max Porter's compassion and bravura kind mix to stunning impression. filled with unforeseen humour and profound emotional fact, Grief is the object with Feathers marks the arriving of an exciting new talent.
Literary Awards
Guardian First booklet Award Nominee (2015)
Goldsmiths Prize Nominee (2015)
Read Online or Download Grief Is the Thing with Feathers PDF
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Additional resources for Grief Is the Thing with Feathers
Example text
It interested me only for a moment; then I went back to what I was doing. I felt a great deal of resentment toward her, and I clearly recall one day when she found me crying and asked me what was wrong.
My mother would stand my sister and me in front of it as we dressed for school in the morning, so that we wouldn’t shiver ourselves to pieces. One day as we were getting dressed, my sister backed into the heater. You could hear her shrieking all down the street, a loud, wordless wail of pain. I can still see my mother on her knees, clutching my sister and rocking back and forth as they both sobbed. After things calmed down my mother examined my sister, and nothing looked to be seriously wrong, so we were sent off to school.
It covers your hara, which is the energy center about two finger-widths below your belly button. It has two black cloth straps and a wooden ring/buckle. It’s sewn in a pattern that looks like a rice paddy would if viewed from the air. It represents the Buddha’s robe. This is the only part of my robe the administration would allow me to keep inside the prison. ” It was my most prized possession until the day years later when the prison guards took it from me. The canvas on the altar was also given to me.